seeing – Quiet Light Publishing Blog

March 30, 2010May 3, 2010

High ISO and Perspective – Getting Out of Your Comfort Zone

Elk, Great Smoky Mountains NP — Elk, Great Smoky Mountains, NP

I recently read an article by George Lepp in Outdoor Photographer which reminded me of a few things I talk about in the Quiet Light Workshops. With the advent of the digital world and especially today’s cameras with high ISO settings photographers – and especially landscape photographers – need to remember to think outside of their usual comfort zone. Today’s camera ISO’s, or as film folks think, ASA, can now go to an incredible 25,600! Remember when ASA 800 seemed on the edge? As landscape photographers we are used to working at the best possible ISO of 50-100 for the finest in detail. Yet in digital the loss with higher ISO’s is minimal. Yes, there will be some additional noise but nothing which can’t be overcome with noise reduction software.

When shooting my last book Great Smoky Mountains National Park: Thirty Years of American Landscapes I had the need to extend the ISO of my camera’s (Canon 1Ds Mark III) highest setting to 3200 when I was shooting the elk in Cataloochee. It was nearly dark when the elk began to actually begin their rut and clash their heads together. Since this is what I had come for I had no choice. I confess, as I was shooting them I was fairly sure I would need to come back, so imagine my surprise when later that night the images looked great in Photoshop!

Last week I was in Texas and once again wanted to play with expanded ISO’s. This time not because I was forced to but to see how it would help you be more creative. I was visiting my aunt and uncle’s ranch Rookwood near Brenham. Aunt Char is a great photographer herself and was excited to show me around. The wildflowers were just beginning to come out. I found that by using the higher ISO’s I could handhold when necessary to get a better angle. I also played with the depth of field so I could show workshop participants directly the differences in looks when you step out of the landscape photographer mode and use a shallow depth of field to highlight an area of an image. The Indian Paint Brush and Bluebonnets in their fields became my subjects for this study. The fact is by changing the way we work we open up endless possibilities to how we see.

Sometimes we find ourselves doing things the way we have always done them – low ISO and stop down all the way to make sure that image is sharp all the way through. And sometimes it is best to break that “rule” of landscape photography. This may seem a very simple idea, but sometimes we need to be reminded to step outside our comfort zone and see the world in a different way.

If you would like to see more images from Texas you can use this link: www.mackphoto.com/blog/Texas/

To see the Great Smoky Mountains National Park book go to www.quietlightpublishing.com

If you would like more information on my workshops please visit www.quietlightworkshops.com

Go on and get out of your zone! Experiment!

Peace,

Richard

December 24, 2008

Remembering at Arlington – Pan Am Flight 103

On December 21^st, about 500 folks gathered at Arlington Cemetery, the site of the National Memorial Cairn, a gift from the people of Scotland to the United States honoring the 270 victims of the terrorist bombing of Pan Am Flight 103 over Lockerbie, Scotland twenty years ago. It was a time to come together and gather as one, even if in several places, as we did simultaneously in Lockerbie and at Syracuse University, where 35 students were lost on that fateful day, along with those of us gathered at Arlington. It was a time to remember our loved ones, locked in time twenty years back and wonder what lives they might have lead if allowed to. It was a time to remember what we did, as a group of ordinary citizens, to change the way this country and the world looks at terrorism. We passed laws to make the skies safer, to allow victims of terrorist actions to bring legal actions against the country which sponsors such actions, we pressed the US and British governments to find the evidence to convict those responsible, and then had to press the United Nations to bring the most severe sanctions in it’s history against Libya, for their responsibility until they turned over those indicted. It turns out we have fought these fights for twenty years, and sadly we are not done, now enduring yet another appeal on behalf of Abdelbaset Al Megrahi, the only Libyan Secret Service Agent convicted under Scottish law. At one point we were told our group Victims of Pan Am Flight 103 (www.victimsofpanamflight103.org) was second in power only to the NRA. There was a component to the weekend of coming together to remember all of our work and exchange stories of how we did what we did, and where we all our today. I am no longer actively involved with the group, having left the board and stepping down as President in the mid 90’s. But many have carried on since then and will continue in the future.

There is no way to tell the story of what we have been through. And yet, a friend of mine, a fellow photographer, now based in Washington and covering the Capital and White House among other things, has captured images from that afternoon at Arlington. They convey the emotions and feelings of that cold afternoon. Ken Cedeno (www.kencedeno.com) worked for me in Chicago at the time of the disaster. He called to say he was bringing a gift over to us when my wife told him it might not be the best time. Over the following year he saw first hand what one goes through after a disaster like this. He volunteered to cover the anniversary event on his own. As I have said, he did a magnificent job. There is a reason he is one of the finest editorial photographer’s working today. I think you can see in his imagery the power of the day, the emotions, the capturing of the moment. Having been there I can also hear the words spoken, the bag pipes and taps being played by the military trumpeter. To me this is editorial photography at its finest. All I can say is a big thank you to Ken for covering the event. You have given us all a wonderful way to remember the spirit of the day.

Peace,

Richard Mack

To see a more extensive collection of the images from Arlington use this link:

http://kencedeno.com/PanAm103/index.html All images on this post are copyrighted by Ken Cedeno.

November 8, 2007December 18, 2007

Yesterday’s Sunrise

Yesterday morning I headed down to Lighthouse Beach at 5:30am to catch the Moon, Venus and Mercury lined up in the early morning sky. I had wanted to go down on Monday morning when a bit earlier in the morning you had three planets, the moon and then the Space Shuttle and Space Station, just after they separated going overhead through all four in the night sky. But Monday was cloudy. So I waited for a break in the clouds. At my house, about 5280 feet from the beach, maybe a few more, there were no clouds overhead. Yet down at the lake, the clouds hung low over the sky. I ended up seeing Venus brightly overhead in between the clouds, but never saw the sliver of moon or Mercury. And as I wrote in the last entry, sometimes you head out to photograph one thing and end up with some very fun surprises. This was the case on this morning.

I am very familiar with this beach, as I have been coming here since I was a kid. Back then it was for swimming or playing, now for the photographs. It is a small beach – only a couple of hundred yards long, and with small dunes behind them in one area. As I shot I thought about how many people might not “see” the images you can find here. They would see a nice scene and walk the beach and then leave. Yet, I see in each wave a new dimension. A new form though the lens. And when I was done with the sky and cloud images, having figured at some point I had more than enough to edit, I began looking at some of the details which the big waves left behind.

As the clouds made interesting patterns in the sky, they broke just at the horizon just enough to let shafts of light come down from above. The lake was rough with waves which provided a great foreground to the clouds overhead, or is it the other way around? The waves being the main image and the clouds being a fine background. My thought process went from shooting the planets and moon to the waves and sky. Wide open shots, to close in shots.

When you start looking at the details there is an infinite number of images to be found. At some point you think – “When do I stop?” For me it was about 2 hours after I started. I need to get home for some of the contractors working on the house. Back to reality of working, although this was being at work for me as some of these images may make it into one of my next books, a set of images on the Great Lakes. It is always an enjoyable time when I am out shooting. Whether at the local beach or in a National Park or overseas. Making images comes easily for most photographers. It is what we do.

And remember, you can subscribe to the blog by using the links below, and leave comments or questions as well. Hope to hear from you!

Thanks,
Richard