Folios Quiet Light publishing is pleased to announce the release of Fine Art Folio's for each book we offer and the personal projects of our photographers. Each folio consists of ten to twelve 8 1/2" x 11" prints, with a 3-4 page text signature and presented in a folder. The image size is roughly 6 1/2" in width. Each is printed on archival fine art paper using archival inks to the exacting standards of the photographers. Each folio is signed and numbered by the photographer. Each is presented in both a color and a black & white version. Folio's are a great value with ten to twelve prints and an artist statement. To View a PDF of each folio click on the image. Price $125.00
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2010 USA Book News Awards Best Nature Photography Book Gold Medal
2006 Sappi Paper Printing Awards Print Award Silver Medal
2011 International Book Awards Photography Book - Nature Gold Medal
2005 Independent Book Publishers Association IPPY Awards Photography Book of The Year Finalist
2007 Eric Hoffer Book Awards Best Self-Published Book Gold Medal
2010 Foreward Magazine Book of the Year Awards Best Photography Book Finalist
2010 Eric Hoffer Book Awards Best Art, Photography & Coffee Table Book Silver Medal
2010 Benjamin Franklin Book Awards Best Cover Design - Large Format Books Gold Medal
2011 Association of Partners for Public Lands Non-Partner Published Works Gold Medal
2011 International Book Awards Photography Book - People Gold Medal
2006 Benjamin Franklin Book Awards Best Nature Book Silver Medal
2005 International Photographic Awards / The Lucie Awards Nature Book of the Year Silver Medal
2011 Benjamin Franklin Book Awards Best Cover Design - Large Format Books Gold Medal
2005 54th Annual Chicago Book Clinic Awards Book Clinic Award Honorable Mention
2005 Printing Industries of America/Graphic Arts Technical Foundation Premier Print Award Certificate of Merit
2011 Best Book Awards Best Book Finalist
2010 Eric Hoffer Book Awards Grand Prize for Best Bool Finalist
2006 Benjamin Franklin Book Awards Best Coffee Table Book Silver Medal
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Northern Patagonia Richard Mack, photographer This folio by Richard Mack consists of twelve Fine Art Prints of images from Northern Patagonia. The roads in Northern Patagonia are two lane paved roads and gravel roads all shared by cars, trucks and horses, giving you the feeling you are far, far from home. With sparkling and clear water in the lakes you can see to the bottom of them far out into their deep points. With cascading waterfalls cutting through the ancient rock before falling hundreds of feet. . The beauty of this region is spectacular not just in its visions but in its wide variety of nature and geography to be found. I can only hope that these images have captured that feeling. I am honored to present these images in this folio. Richard Mack
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A Dozen Moons Richard Mack, photographer This folio by Richard Mack consists of twelve Fine Art Prints of images from around the world he has made of the full moon and lunar eclipse's. From his introduction he writes; In our lifetimes we see 13 moons on average per year or 1,043 moons in 80 years. Yet how many do we really see? . It is about capturing the wonder of it passing overhead every twenty-eight days and affecting our tides and our attitudes. I can only hope that these images have captured that feeling. I am honored to present these images in this folio. Richard Mack |
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The Lewis & Clark Trail Richard Mack, photographer Richard Mack spent two and a half years travelling the trail and being in the places the Corps of Discovery was at the same time of year in order to give the viewer the feeling of being on the trail with them. This collection of images spans from South Dakota to the Pacific Ocean from his book The Lewis & Clark Trail: American Landscapes. Richard Mack
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Great Smoky Mountains National Park Richard Mack, photographer Richard Mack went to the Smoky Mountains when he first took up photography at 18. He has spent thirty years honing his craft in this his favorite park. This collection of ten images show the breadth of his work in a stunning set of images form his book Great Smoky Mountains National Park: Thirty Years of American Landscapes. Richard Mack
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Their Love of Music Stepehn Azzato, photographer Stephen Azzato photographed musicians and asked on question - why do you do what you do? “The beauty of this project for me was being able to sit with a huge range of musicians and explore what drew them to their art”, says Azzato. “I was able to hear it in their voices and record it visually in their images”. In the simple quiet of a green room, without the crowds or bandmates or tour managers, Azzato’s photographs transcend the chaos of the stage and the intensity of the studio to reveal the inner spirit that drives each of his subjects. This set of ten images are from his book Their Love of Music. Stephen Azzato
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Two Photographers | One Vision Jill Buckner and Richard Mack, photographers We had only 4 ½ days to discover the treasures of the country. We photographed in Casablanca, Marrakech, and the countryside in between. We explored new areas of the cities as well as the old souks. We discovered that while photography is most certainly an individual process, under the right conditions it also could be a true partnership. Photography is usually a very lonely profession, so it was both enriching and rewarding to work alongside another professional and to see and appreciate someone else’s vision of the world. At the end of the day, competition was cast aside and mutual respect prevailed.
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Two Photographers | One Vision Jill Buckner and Richard Mack, photographers As photographers we see the world each in a different way. We see an image in our mind and decide on a lens, the proper perspective, and depth of field, all in order to create the image we have visualized. It is a process unique to each photographer. It was with that mindset we set out across Tuscany, Florence, and Venice, two photographers working together to capture the beauty of Italy in one body of work.
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Two Photographers | One Vision Jill Buckner and Richard Mack, photographers The process of capturing an image is unique to each photographer. Yet our images are strikingly similar. It is an exhilarating experience to find someone who feels the way you do about the craft of photography. We walked around Venice each day with cameras and tripod in tow. Even when we stopped for coffee or a bite to eat we would see potential images in our surroundings and one of us would ultimately get up and snap a shutter. In reviewing the day’s images, we often could not tell who had taken which photos. For those we could distinguish, we often liked the other’s more than our own. Competition aside, mutual respect won the day.
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