This past weekend I had the pleasure of being in Great Smoky Mountains National Park to do two book signing events at Sugarlands and Cades Cove Visitor Centers. It is always fun to be down there and meet folks coming into the park and get reactions to the book first hand. I have some great notes from a few of those who have taken the book home and written me about how much they love the book. I am always humbled by their notes. This past weekend I also ended up giving some advice on where to go to shoot the sunset in the park to three gentlemen who had come for the weekend to shoot some images. I mentioned that on this night they could go up to Clingmans Dome and get two very different shots, one of the full moon rising in the east and then turn to the west and photograph the ridges of mountains in the sunset. I confessed I was going to try and head someplace else to shoot the full moon rising, since I had shot it from Clingmans Dome before – and I showed them the pages in the book. But I confessed if it didn’t work I might see them up there.

Well, as it turns out, the location I thought might work looked a bit to far to the southeast and ridges blocked where the moon was going to come up at 81º in the east. So I eventually headed up to Clingmans Dome and ran into these gents and we all ended up shooting together, along with the dozens of others up there that cold, cold evening. I was too late for the moon rise, but got there to shoot the end of the sunset. It is always fun to see how you can have 4-5 folks within feet of each other and we all get different results and see the shots differently. It was also fun to give them some advice on the techniques I use to achieve some of the my images and how late into the darkness I end up shooting, usually being the last to leave an area in total darkness.

All three it turns out have studio’s down south but don’t do nature photography. I got a nice note back from one of them who is the photographer for the woman’s roller derby team in Atlanta – who knew they still had roller derby? He’s got some nice shots of them. Ironically, none of them bought the book – what’s up with that? – but we all had a great time anyway! In his note he said they all decided to come back often to shoot in the park, so maybe the next time I’m there over Halloween weekend I’ll run into them again.

To see more from this hour of shooting on Clingmans Dome use this link: Clingmans Dome Sunset

Cheers!

Richard

This afternoon we received the shipment of books from the printer, CS Graphics, of our new book Great Smoky Mountains National Park: Thirty Years of American Landscapes. We will start to ship out the pre-ordered books on Monday. Shipments to those stores which have ordered the books will also begin on Monday. Seems like it has been a long time in coming and now it is here! Pretty exciting when you launch a new book and a lot of work. We’ll be having a big release party in late August or early September – watch this space for information or email me and ask to be put on our list. You can purchase the book on our website at www.quietlightpublishing.com!

Have a fun weekend folks!

Peace,

Richard 

We also discuss new offerings from Quiet Light Gallery and new Workshops for nature and photography lovers in this issue. To view the full articles please use the link: http://www.quietlightpublishing.com/newsletters/200905.php  

Or visit us on the web at www.quietlightpublishing.com  Look forward to hearing from you! 

Richard Mack

Quiet Light Publishing

 

Great Smoky Mountains National Park: Thirty Years of American Landscapes

ISBN: 978-0-9753954-2-4

220 pages, 245 images, 11×13”

Quiet Light Publishing

Publisher’s Price: $60.00

Pre-Order Price: $45.00 (until June 1, 2009)

Four years ago today we released my first book, The Lewis & Clark Trail American Landscapes. As soon as you come out with your first book, the question is…so what’s your next project and when will it come out. Well, now. Kind of. You can now pre-order our second book, Great Smoky Mountains National Park: Thirty Years of American Landscapes. I have been training my lens on the park for just over thirty years so it made sense that my next book would on the park.

I began my quest to become a landscape photographer while on my first trip to Great Smoky Mountains National Park back in 1974 with my future wife, Kathy. I was not then as intense about photography as I am now. I was just beginning my journey and in all honesty wanted to find the closest national park to my home in Illinois. I chose the Smokies and the love affair began – between me and the park and between my wife and I. Since then I have visited many of our national parks, but I continue to be drawn back to the beauty, diversity, and complexity of the Smokies. It is, after all, a park that offers everything: historic buildings and living history, magnificent streams and waterfalls, a variety of old-growth and new-growth forests, large fields and coves with abundant wildlife, and of course, those stunning vistas into “smoke” filled valleys.

Over thirty years, many things have changed, and many others have stayed the same. The Fraser firs on Clingmans Dome have almost been destroyed by the Balsam Wooly Adelgid, yet younger trees now crowd the understory. Portions of the Alum Cave trail were inundated by a landslide during a thunderstorm. Cades Cove is no longer farmed. Logging operations cleared much of what is today parkland. Yet to the inexperienced eye, the places where lumber companies clear-cut mountainsides in the late 1800s and early 1900s are barely perceptible, a testament to both Mother Nature’s ability to regenerate and remove the scars of mankind, and to mankind itself for having the foresight to preserve this remarkable landscape. In some cases, entire species have disappeared from the area, like the buffalo and wolves, or even from the earth entirely as is the case with the passenger pigeon. But other species have been reintroduced. Elk have been returned to Cataloochee and have migrated into other areas of the park. The synchronized fireflies have been around forever, but only in the last 15 years have they become a popular treat if you are lucky enough to catch their 10-day show in early summer.

Some of these changes are reflected in this book, whether a black and white image of an old barn taken in 1976, or one of my last shots of a sunrise as seen from Newfound Gap in November 2008. I hope you will enjoy my vision of Great Smoky Mountains National Park. It is a jewel in our national park system. My wish is that you will come to love, as I do, the details of the leaves, the rush of water in the streams, the colors of the landscape as it changes from season to season.  

You can preview the book using the link: GSMNP Book Preview 

Our release date is July 1, 2009, but pre-orders start today, at the reduced price for readers of this blog of $45.00. So order now, and put the words BLOG in the comment area to insure your discounted price. We will not charge your card until we ship your order. Readers of this blog are the first to be able to order! GSMNP Book Pre-Order 

Thanks! Hope you’ll enjoy this new release! Stay tuned for more as we move forward! 

Richard Mack

 

For the last few months I have been hard at work editing the images for my next book Great Smoky Mountains National Park: Thirty Years of American Landscapes. Part of the process of course is editing your work, both in deciding what images to use in the book, and then in working with each image individually to achieve the best possible printed piece. While this later part is done in Photoshop – it is much like being in the darkroom and making sure the “print” you end up with is what you had pre-visualized in the field.

I recently was on a friends blog where he talked about editing film and how there was a space of time between when you took the image and when you finally had a chance to see the image in film form after processing. His thought was that the distance in time helped you make better decisions about the images because the emotion of the day when you shot it was not as fresh. There may be something to that, especially in the day of digital photography where folks tend to edit their work even while it is still in the camera! This is never, never to be done! How can you tell what it really looks like on a 2” low resolution screen? It’s great for making sure your close on the exposure – although the histogram is better – I would never delete an image based on what I see at that point. But I digress.

Having worked on images from over a thirty year time span I have found the same emotions, or at least ones close to them come streaming back as I look at the images. I happen to be able to remember almost everything about a photograph I have taken – too bad I can’t remember things like that in real life – but it makes it easier for me to remember what I wanted the photograph to say and thereby make the correct adjustments to an image. Creating an image which comes as close as possible to what I was feeling and intended the image to look like in the first place.

The hardest part of editing is deciding which images should make the grade and be in the book. An example is the cover shot. Because of its importance it also has some additional requirements which must be met. It has to pull people in, take it off the book store shelf and make them want to open the book. Therefore, I tend to look at the covers of similar books, in this case other photographic books on

I think in some ways, my friend might have been right about distance and time in editing at least in this case. I let go of an image I really liked and had an emotional attachment to. And now that I see the new cover image I like it even better than my first choice. So what is your opinion – let me know – I’d love to hear your opinions too!

Peace,

Richard